George McCartney

George McCartney is film editor for Chronicles.

Latest by George McCartney in Chronicles

Results: 271 Articles found.
  • <em>What the Editors Are Reading</em>
    Reviews
    June 2020

    What the Editors Are Reading

    Robert Louis Stevenson’s novella of split personality, the Strange Case of Dr. Jekyll and Mr. Hyde (1886), and The Rise and Fall of the Great Powers (1987) by Paul Kennedy

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  • Hankering Hereafter
    Column
    June 2020

    Hankering Hereafter

    The Invisible Man (2020) • Seven Stages to Achieve Eternal Bliss (2018) • Panic in the Streets (1950)

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  • Family Finances
    Column
    April/May 2020

    Family Finances

    Parasite may be both the most amusing and the most horrifying movie of the year. That is, if you can get past its inept attempt at making a political statement.

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  • The World's Values
    Column
    March 2020

    The World's Values

    1917 • La Grande Illusion (1937) • Paths of Glory (1957) • Uncut Gems

    Sam Mendes’ new film, 1917, is a rigorous examination of what it was like to be a low-ranking officer in the Great War. The film follows—literally, with a camera just over their shoulders—two young lance corporals, mere boys, as they attempt to follow mission orders that may well prove fatal.

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  • The Perils of Revisionism
    Column
    February 2020

    The Perils of Revisionism

    The Irishman • Raging Bull • Star Wars: The Rise of Skywalker •

    Martin Scorsese’s The Irishman has been hailed in many quarters as a triumph, a return to the early movies of his career that made his reputation as the preeminent director of mob cinema. I wonder, is this a desirable accolade? Speaking for myself, I’ve had quite enough mafia-inflected entertainment.

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  • Racing for Dominance
    Column
    January 2020

    Racing for Dominance

    Jojo Rabbit • Ford v Ferrari • A Simple Plan

    Jojo Rabbit, written, directed, and produced by Taika Waititi, is a strange movie. It breaks the 74-year-old rule that Hitler must never be portrayed as playful, prankish, or in any other way amusing. Yet that’s precisely what Waititi has done. What’s more, he’s taken on the acting challenge of portraying the monster.

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  • Grim Foolishness
    Column
    December 2019

    Grim Foolishness

    I’ve seen only two-and-a-half Quentin Tarantino films, which seems to me one more than enough. They’re silly, trashy, and singularly devoid of amusement. Why would I see another? But when his latest, Once Upon a Time in Hollywood, received enthusiastic notices elsewhere, I thought I should try it. Could I have misjudged his work? I can confidently report that my original judgment was correct.

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  • Mayhem and Civility
    Column
    November 2019

    Mayhem and Civility

    Joker, Downton Abbey, and The Conversation • There must be other films as ghastly as director Todd Phillips’ Joker, but I can’t think of any that come close to its sickness. I don’t say that lightly. This is a thoroughly immoral film, and a profoundly unpleasant one, unless, of course, you hanker for gruesome scenes.

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  • Column
    October 2019

    Hiding in Delusion

    Although Where’d You Go, Bernadette stars the incomparable Cate Blanchett along with a strong cast that includes Billy Crudup and Kristen Wiig, the film is a serious disappointment. I shouldn’t have been surprised, given it was released in mid-August, which is when studios dump films they suspect will be losers.

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  • Hazardous Do-Overs
    Column
    September 2019

    Hazardous Do-Overs

    America was founded on the idea of the second chance. People unhappy with their lives in Europe sailed to the New World, where they hoped they could escape oppression and failure. This gave rise to the peculiarly American idea that it is possible to overcome the weight of the past and reinvent oneself to one’s own specifications. It doesn’t always work out, but hope is a virtue that springs eternal. If your new self disappoints, you could always pick up stakes and move farther west in search of regions more hospitable to your dreams.

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  • Column
    August 2019

    The Naked and The Veiled

    German director Florian Henckel von Donnersmarck’s new film, Never Look Away, now available for online streaming, considers the Nazi and communist twin ideologies that strove to perfect the human species via sterilization, euthanasia, and mass killing. Chernobyl details the events of April 26, 1986, when one of the four nuclear reactors at Chernobyl blew up. High Life proves that with the right kind of reputation a director is insulated from negative reviews.

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  • Reviews
    August 2019

    What the Editors Are Reading

    Dostoevsky’s great 1866 novel Crime and Punishment and Aldous Huxley’s 1939 novel After Many a Summer Dies the Swan.

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  • Column
    July 2019

    Of Infants and Geezers

    Unplanned is a remarkable piece of cinematic propaganda that seeks to tell the truth about abortion and Planned Parenthood. It’s based on a memoir of the same title written by Abby Johnson, who is played in the film by Ashley Bratcher.

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  • Tethered and Beleaguered
    Column
    June 2019

    Tethered and Beleaguered

    Jordan Peele is the executive producer of the revived Twilight Zone series now streaming on CBS All Access. The original series fascinated him when he was a boy and he was determined to revive it.

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  • Monarchs and Pretenders
    Column
    May 2019

    Monarchs and Pretenders

    The story of Mary Queen of Scots makes you wonder why anyone would aspire to be a monarch. Mary was an accomplished woman. She had mastered five languages, English being the third; was schooled in the classics; had traveled extensively in Europe and had been married to the French dauphin, Francis II, for a time before his death.

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  • Power and Betrayal
    Column
    March 2019

    Power and Betrayal

    In Vice, director Adam McKay takes a hatchet to Dick Cheney, joining a long line of detractors of our 46th Vice President. This is too bad. Not because Cheney deserves better.

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  • Column
    February 2019

    Mortal Remains

    Near the end of The Ballad of Buster Scruggs, the Coen brothers’ latest cinematic whimsy being shown on Netflix, Brendan Gleeson sings a ditty (a British ballad called “The Unfortunate Lad,” on which “The Streets of Laredo” was based) that includes a verse about a man dying of syphilis.

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  • Mortal Coils
    Column
    January 2019

    Mortal Coils

    Homosexuals make up two-to-four percent of the population, yet many assume their number is higher, much higher: 23 percent, according to a 2015 Gallup poll. It’s easy to understand why.

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  • The Undaunted
    Column
    December 2018

    The Undaunted

    Chuck Yeager, the much-celebrated Air Force test pilot, derisively referred to NASA’s original astronauts as “spam in a can.” He meant that once these extraordinarily brave men were strapped into their modules, they practically had no agency.

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  • Lilliputian Fantasies
    Column
    November 2018

    Lilliputian Fantasies

    I’m late commenting on Alexander Payne’s Downsizing for the simple reason that the film became all but unavailable within what seemed a couple of weeks of its opening in December 2017.

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Results: 271 Articles found.



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