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George McCartney, a professor of English at St. John's College, is film editor for Chronicles. He is the author of Evelyn Waugh and the Modernist Tradition (Transaction).
ARTICLES BY THIS CONTRIBUTOR: Racing for Dominance Grim Foolishness Mayhem and Civility Hiding in Delusion Hazardous Do-Overs The Naked and The Veiled What the Editors Are Reading Of Infants and Geezers Tethered and Beleaguered Monarchs and Pretenders Power and Betrayal Mortal Remains Mortal Coils The Undaunted Lilliputian Fantasies Racing Desperate Fatties Ministering Families Racial Follies Bursting the Wineskin Lies and Consequences Rising to the Occasion Signs and Revelations The Weight of the Past Of Death and Birth Allegorically Yours The Little People Unflinching Women Wonders The World as Imagination Down Here Among the Lilliputians Racial Follies Good Country People Shall We Dance? Marvelous Exhibitions Aliens: The Good and the Bad A Useful Tool Of Wrath, Lies, and Heroes Clichés Revived Counting on Rosary Beads Under Circe’s Spell Bad Investments Pay Off Shine Your Ever-Loving Light on Me Revelation and Portent The Hail With It Paint It Black Not So Far Away, Not So Long Ago Compromised Fidelities A Snow Job on Rodeo Drive Top of the World, Ma The Curtain Descends; Everything Ends Detecting the Personal Beyond Can’t Get No Satisfaction Women on the Loose A Strange Romance This Was Trucking Upward Hopalong Rides the Iraqi Range Seized by the Moment Baying for Broken Glass Groovy Solipsism A Helluva Good Universe Next Door The Exterminator The Skull Beneath the Skin Political Science Vocation Between the Idea and the Reality Class Allegories Songs of Innocence and Experience Between Hate and Love It Ain’t Necessarily So Of Pasteboard and Pastry Truth on a Diet Pregnant With Meaning Flyovers and Combovers Reckless Regard Attachment and Loss O Captain, My Captain Elysian Fields Forever Reason’s Enemy Heartless Irony A Vast, Vulgar, Meretricious Beauty Oblivious The Long Take Maya at Half-Past Midnight Unspoken Promises Mercy Is Courage Enemies Poisonous Intoxicants Lawless Enforcement Bats and Weasels Responsibilities Utopia Forestalled Things Are Looking Up Bullseye! A Capital Mars Howling at the Heavens Illusions and Disillusions Those Real Estate Blues J. Edgar Who? Of Candidates and Clowns Shane On Wheels Sold, Not Bought Carrying the Burden Under an Honorable Spell Modernists Amuck Shouldering On The First and Final Command Three From the Past It's a Bird The Grit and the Gritless Mortal Terror Neocon Follies Include Me Out They All Laughed 2—D or 3—D:That Is the Question Advertising Himself The Last Gasp A Proto-Puritan Robin Winning Is Everything, Isn't It? Back in the Locker A Mortal Blivet A Cold and Distant Mirror In Flight Got Your Goat Heisenberg’s Curious Principle Cupidity Aliens and Knaves Reporting and Deciding Watching the Money Brought to You by Nokia™ What a Drag Geez Pretenders Infelix Culpa? The Ponderous and the Fleet The Naked Truth Valor I Gave Them a Sword Wantum and Quantum Blubbering Those Dying Generations A Rough Sea Petrified Forerunners Alfred Hitchcock’s Empty Suit Good Night, Shyamalan Wogs Stop It The Postmodern Sneer Shaming Marxist Obsessions Who’s That Angel of Death? Excellent Enemies Slinging It In Contention In Film, the Political Is the Personal Henny Penny I Love My Mother Jekyll and Hyde in a Box The Last Adieu: A Wake for the Living In the Register of Ka-ching! The Genetics of Hate and Mercy The Personal Is Not the Political The Squirm Index Astray From the Fold Blood Offerings Cross-Cultural Follies Infernally Yours Of Men and Supermen Prohibition Addiction Super Savior Leonardo’s Little Joke Nobody’s Going to Help Us Word Power Crash Course Can’t Get No Satisfaction Keeping the Promise Out of Gas Whose Point of Order? Limping to Hell With Good Intentions Redemptive Weeding Pimp Dreams Preternatural Selection Low Blows, Dark Vengeance Fact and Fiction Empty Gestures Shooting One Another in the Land of the Free Exterminate the Brutes Fly Boy Puritan Pervert Saint Aborta and the Molesters Nostalgia’s Rearview Mirror Dim Young Things What’s the Big Idea? Montage Mirage And Agamemnon Dead Make Mine Revenge, Please Caution: Allegory Ahead The Crux of the Matter Monsters Character Is Fate Secret Sharers Exhibitionists The Human Element Quaint Honor The Well-Holstered Gun They’re Back Waugh on Film God’s in His Heaven A Good Hitman Is Not So Hard to Find Justice Blinded Night Thoughts for the Middle-Aged Be Afraid of Virginia Woolf The Sorrows of Solipsism Plymouth Rocked Cinematic Imagination Under Siege Unutterable Visions, Perishable Breath Signs and Wonders Fateful Choices Artless Imitations Bitten and Smitten Beat the Clock Belief Suspended Love, War, and Other Misunderstandings Moral Impressionism Transcendence, Anyone? False Redeemers Something Both Brighter and Darker A Voice in the Darkness The School of Savagery So What's a Metaphor? History Lite Resurrecting the Third Man Becoming George Orwell Fearful Symmetry Dinner Is Served Moments, Redeeming and Otherwise Odysseys Accidental Heroes, Ordinary Tragedies Details, Details Sentiment and Sentimentality Frankenstein's Children Making Choices, Taking Chances The Best Reality Money Can Buy? Season Your Admiration We, Who Are Always About to Die Observing American Decencies A Waste of Space Presence, Real and Ersatz James Bond, Luddite Waugh Stories Seeing Is Not Believing Of Guns and Roses Intimations of Mortality In the Toyshop of the Heart Oedipal Angst Of Apes and Yahoos Resurrecting The Third Man Reel Crimes, True Illusions Under, Over, and Worlds Apart Filling a God-size Hole In Our Own Image