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Undemocratic Democrats

by William Murchison

According to John Harwood in The New York Times, public support for “reining in Wall Street” has Democrats about as exuberant as Democrats ever get any more. Scared Senate Republicans are looking for deals to cut. The public wants this thing, with three-fifths supporting it in a recent poll. Democrats—who always do the public’s bidding—are ready to close the deal.

William Murchison | March 9th, 2010 | Continued

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The Properties of Property

by Thomas Fleming

If you read libertarians, classical liberals, and their intellectual godfather John Locke, you might believe that they are the great defenders of property rights. After all Locke and his followers have always championed the rights of life, liberty, and property. How strange it is, then, that so many (not all certainly) modern libertarians have also argued for a mother’s right to kill her baby and the right of the Federal Government to take away liberty from local communities that have passed ordinances that one or another moral anarchist dislikes.

Thomas Fleming | March 9th, 2010 | Continued

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A Republican Is Someone Who Thinks . . .

by Clyde N. Wilson

*That unemployment compensation for laid-off workers is socialism and multibillion-dollar bailouts for banking and stock swindlers is capitalism.

*That killing women and children with high explosives in remote corners of the earth is defending “our way of life.”

Clyde N. Wilson | March 9th, 2010 | Continued

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Who Should Pay the Piper?

by Patrick J. Buchanan

Greece this past weekend saw the worst rioting since the debt crisis began. After Athens had announced new tax hikes and budget cuts to reduce a deficit of 13 percent of gross domestic product, mobs drove guards from Greece’s Tomb of the Unknown Soldier and attacked police.

Patrick J. Buchanan | March 9th, 2010 | Continued

Reporting and Deciding

by George McCartney

A review of The Hurt Locker (produced by First Light Production and Kingsgate Films; directed by Kathryn Bigelow; screenplay by Mark Boal; distributed by Summit Entertainment).

At last we have a movie that makes us feel the full obscenity of the Iraq war. Other films have been well intentioned but have either given in to the temptation to preach (Lions for Lambs) or taken aim at the wrong targets (In the Valley of Elah and Redacted). The Hurt Locker takes an entirely different tack.

George McCartney | March 8th, 2010 | Continued

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Sachs of Gold

The story thus far: Not content with plunging the world’s economy into the worst crisis since the 30’s, the avaricious and reckless bankers have been saved from ruin—momentarily—by our taxes, yet they continue to treat us with breathtaking contempt.  Far from feeling any remorse or humility, they pay themselves annual bonuses larger than what most people earn in their lifetime, and do so with an arrogance that beggars belief.

Little Bitty Pretty One

The television screen shows five-year-old Tara being awakened from a sound sleep at 6 a.m.  She has a beauty pageant to get ready for.  To shake off her sluggishness she is given a carb-rich donut and some caffeine-loaded Mountain Dew.

After “breakfast” Tara is dressed in a two-piece bathing suit and taken to a makeshift tent, where she endures a spray-on tan.  After that, it is, as her mother says, “magic time.”  Powder is applied to Tara’s face, along with rouge, lipstick, lip gloss, eyeshadow, and false eyelashes. 

Swiss Minarets

Swiss voters approved a constitutional amendment banning the construction of new minarets last November, to the howls of bien-pensant rage at home and abroad.  The proposal was supported by 57.5 percent of the participating voters and 22 of the 26 Swiss cantons.  It was originally drafted in May 2007 by a group of conservative politicians, known as the Egerkingen Committee, after the federal supreme court overrode the objections of the local community and approved the construction of a minaret by the Turkish Cultural Association in the northern town Wangen bei Olten.

In Flight

A review of Up in the Air (produced and distributed by Paramount Pictures; directed by Jason Reitman; screenplay by Sheldon Turner, adapting Walter Kirn’s novel) and The Road (produced and distributed by Dimension Films; directed by John Hillcoat; screenplay by Joe Penhall, adapting Cormac McCarthy’s novel).

George Clooney, well-groomed and exceedingly fit at 49, seems perfect as Ryan Bingham, the conscienceless protagonist of Up in the Air.  He’s a man who disposes of people for both profit and recreation.  By day he is a frequent-flying hatchet man or, to use the preferred term in America’s ever-expanding dictionary of euphemisms, “transition counselor.”  He flies wherever needed 320 days a year to fire people whose bosses would rather not swing the ax themselves.

Pitching for America

It was Father’s Day, 1964, when the Phillies’ Jim Bunning, a father of seven, took the mound against the Mets.

Ninety pitches later, Bunning had struck out 10 and allowed not one batter to reach first base. Twenty-seven up, 27 down. The first perfect game in 86 years in the National League, and the finest hour of the Hall of Famer’s baseball career.

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